Tag Archives: identity

rule of life

Last year, as an assignment for Prayer, Presence & Practice, I received the assignment to write out my Rule of Life. While not exactly a Rule, what I turned in are some principles that I try to live by, and I share them here for whoever might find them helpful.

  • Have a voice. Know yourself.
    • Commit to living out the image of God that is within you, to allowing identity to overflow into actions.
    • Follow your joy.
    • Be interested in growth.
      • Allow events to change you.
      • Ask basic, stupid questions, and find unexpected answers.
      • Ask complex, interesting questions, and research for the most satisfying answers.
      • Look for more livable ways to define and live the good life.

This piece stems from my practice of silence, in which I not only learned the power of my voice but how to handle it with care and strength for both others and myself. My search is not simply for a career but a vocation, which I understand as identity-in-action. No one can tell me what this is; I must know and hear my own voice. It is not sufficient to have a self that is only a self in relation.

  • Have courage.
    • Courage to say no, courage to say yes. Remember that saying yes “to will the one thing” means saying no to lots of other things.
    • Remember that we all suffer. Keep going.
    • Lean into the pain, find what it has to teach you.

As someone who knows narrative and is intuitive, I often know where a trajectory will take me before I get there. I must remind myself that all good stories require conflict. Often, the work that must be accomplished requires leaning into the pain of my story. It’s those moments that I want to stop that I must find courage to keep going into the discomfort and hurt—nothing has taught me this more clearly than  writing. Additionally, I must have strong boundaries in order to accomplish what I’m meant to rather than becoming distracted in others’ callings.

  • Be vulnerable.
    • Pursue relationships that might not work out.
    • Show hospitality that will likely never be returned.
    • Risk emotionally.
    • Laugh, loudly.
    • Cry, openly and without shame.
    • Believe in the holy contour of life.

Relationships are important for a full life. My life is not only about my work but about being with others well, which requires such openness and risk for a certain level of intimacy.

  • Be grounded in physicality; know your embodiment.
    • Sweat often. Sweat is your prayer.
      • Practice yoga. Run. Practice krav maga. Go dancing.
    • Breathe deeply and mindfully. Breath is your prayer, too.
    • Drink lots of water. Eat colorful plants that died just recently.

Beginning to articulate body as prayer has been a theme in this term’s other papers, so I won’t reiterate here.

  • Value your creative process.
    • Mantra: good artists borrow, great artists steal. Keep a swipe file.
    • You are powerful enough to make new words and new symbols.
    • Listen attentively and carefully.
    • Take field trips.
    • Remember. Carry a notebook and pen. Write things down. Revisit journals.
    • Fail. Fail again. Fail better. Fail faster.
    • Collaborate. Everyone has something to offer.

I do believe that writing is a task I am mean to be working at. Guidelines are helpful in achieving that, in figuring out the way and the content.

  • Live with simplicity.
    • Know kinship with creation.
      • Garden. What you do the earth, you do to yourself.
      • Enjoy the sun. Sit in the grass. Enjoy rainy days, too.
    • Don’t be cool.
      • You don’t need more clothes, gadgets, social media presence, or anything else trying to sell a false version of the good life. Consume less.
      • In general: reuse, repurpose, and make what you can
      • The pursuit of [material] happiness is the source of much unhappiness.
    • Find a rhythm of work and rest.
      • Daily, weekly, yearly.
      • Keep a daily routine… but don’t be rigid. Stay up late when ideas are happening. Get out of bed when they wake you up. And keep human! See people, go places.

I’m concerned about the consumer-driven narrative of today’s culture; there are other ways to live that have been livable and well lived for centuries and centuries.

  • Find a third way.
    • It’s not just about looking forward to Resurrection on the other side of Death, it’s about finding a third way, a way in-between the black/white paradigms.
    • Think in terms other than good/bad, or find other ways to define those terms.
    • Follow your joy.

I’ve always struggled with darknesses; this past year has been especially difficult and I don’t expect that to go away as I start to work on putting words on pages. I need to find a way to navigate, a way to hope more than I despair and to know glory without being overwhelmed by it.

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silence and selfhood

By the end of the first week of classes, I am in tears. Half of my conversations make it obvious that I am a woman in a man’s world, or at least a man’s program. The other half of my conversations make it clear that I am no longer fully a student; my peers expect me to be something more—the opinion of women everywhere, the voice of a movement, at once leader and sacrificial lamb. In my last class of the week, the professor is discussing issues of women’s initiative and agency. It is exactly what I have been attempting to bring out of the mostly-silent women of my cohort, the parts of myself I have been expending on the students’ behalf. I am exhausted.

I share this with the professor after class; she understands completely, even better than I do. “It’s very bad to be exhausted at the beginning,” she states. I nod and unsuccessfully try to keep even more tears from falling. “I wonder,” she begins, slowly, with care, “if the strength that is in you could be for you.” Earlier, I would have claimed that others needed my strength on their behalf more than I needed it for myself, but it’s too obvious that that is no longer true, if it ever was. When she suggests that I practice silence, something in me feels the unfamiliar pull of hope. From my first weeks in this building I had been deemed The Woman Who Speaks (or, more often spoken, The Girl Who Talks). Silence feels like a good practice, one in which I could learn other ways to be engaged with the material, where I could find space within myself for peace, where I could demand others to allow me the silence they maintain, all while inviting those unheard voices to fill the space I leave open.

Silence is capacious. In silence, there is room for me. In silence, room is made for others. I hope that silence would also allow space for God to encounter me. I know myself to be too tired to chase after God. Still, I could make room for the Divine to come in, I could be watchful for moments to welcome such a Being.

I adopt the practice of silence in every class, and often outside of it as well. Even in moments when I want to speak, I allow my silence to fill the room. I notice my breathing. In extended silences, lying in bed at night, or observing the descent of rain while the heat of my morning tea passes into my palms, I put tiny breath prayers with my pneuma, my breath, my spirit. Most often, my prayer is the characters of the Ineffable Name: inhale yod, exhale he, inhale vav, exhale he. In moments of frustration, I use another Hebrew word associated with breath, and more commonly linked with meaninglessness, the soon-vanishing vapor of expelled ether, hebel. Both Hebrew words are scripted over my rib cage, and I watch them rise and fall through the shower steam as I contemplate God within this broken body.  I focus on sensation, I practice mindfulness. I feel cool air welcomed into my body, warmed, allowed to leave as space is made for another benevolent breath. When I eat, I try to really taste. As I fold laundry, I touch the texture of each garment. I knit and notice the delicate softness of the wool as I tangle it into a big and beautiful knot.

Each Sunday evening I drag myself to my version of church: the yoga studio. It is a safe space, an hour and a half in which no one expects me to speak brilliantly, no one looks to me for wisdom nor guidance. Unlike traditional churches, no one asks me to volunteer, host, lead, or give of myself—as though self is something with which I can part, a sweater to shrug off. One week my thoughts drift away during shavasana, as they are wont to do, as my mind begins to realize how beautiful this corpse pose is, how stunning that I, who can barely relax my muscles around those with whom I am intimately involved, choose to let go of all tension and awareness while surrounded by strangers. I am vulnerable, entirely exposed, and my eyes are shut. Despite my years of martial arts training, if anyone wanted to kill me right now, they could. I am thinking this, without anxiety, when I feel the warm palms and thin fingers of my instructor encapsulate my ankles. My inhale catches in my throat and ocean drops roll down my temple and God is with us, between us, in us. The same vulnerability that could lead to my death also opened me up to such warm, unexpected, and tender kindness. I am undone.

In school, silence continues. Nearly halfway through the term, people start wondering about it. One student approaches me while I am working at the front desk and says, “I’ve been missing your voice in Theology,” where we had been discussing feminist theologies. I choose my words carefully to convey appreciation that I was noticed, but underneath I feel the tug of the rope around my neck, students leading me to slaughter. The next Theology class, the conversation turns towards feminism once again. A couple students talk about how to find space for women to speak, the professor rightly points out that creating space can’t just be something that happens out in other places, it needs to start in this classroom, between each of us. “How can we be with one another, make space and find space?” We’re about to go on break, the conversation will end here—as it always does, as if asking the question is enough. I tentatively start raising my hand, put it back down, start putting it up again, lower. The professor sees me and starts unpinning her own microphone in urgency to make room for me to speak; she, too, has been both aware and supportive of my silence.

When I take the microphone it feels heavy and suddenly unfamiliar. “I haven’t spoken yet in this class,” I say, and realize the semester is half over. My pulse races, my breath quickens. This is unlike me; I’m familiar with the amplification of my voice in this room. “I hope that those of you who are often silent feel my silence as an invitation,” I look around to some of those women’s faces; their eyes are in their laps. I persevere, “I hope you feel that space is being made for you. And those of you who often talk, who speak every thought you have,” I’m very selectively making eye contact with certain students, “I hope you hear my silence as an invitation to join me in making space.” I shakily turn off the mic, we go on break. The next week is a jumble of processing, outspoken men thanking me for confronting them, quiet women avoiding me and their boyfriends explaining that they feel like I’m forcing them to speak, others just thanking me for explaining—my silence had been tangible and unknown.

I’m processing, too, but it’s tiring and trying and needs to stop. It’s early and will probably rain any minute, but I lace up, throw on a hoodie, run along the canal. The trees shine against the layered grays of the sky, branches sway in front of the stable lines of the bridge. The occasional biker whirs by, the whisper of leaves cuddling against one another, occasionally huddling tightly enough to offer glimpses of the water. It’s quiet. I run until my breath overwhelms my aural space and the sensation in my lungs overtakes all. The leaves are getting brighter and invite me farther down the path.

Suddenly the trees open up and there is a clearing leading to the water. I turn, leave the trail, allow my pace to slow as I approach the waves. I stretch the tightness out of my hamstrings and watch the inky blue shallows carry leaves as though they’re golden treasures, unexpectedly inherited and loosely held. I don’t know where they’ll be carried, but they’re here right now, and they’re beautiful. The water falls towards its unknown destination; it does not care how many gold pieces join it. A half dozen ducks glide by, or appear to. I know they’re not really gliding; under the calm surface, they’re paddling like mad, just like the rest of us. I decide I’d rather be the water than the ducks, held by the firm steadiness of the rock riverbed, with effortless and natural direction. I wonder if a duck can choose to stop paddling, allow the water to carry it, and survive.

The images stay with me for days. When I try to explain to my husband the warm darkness of the water, the brilliance of the leaves, the rocks that hold the stream and give it direction without ever moving—I can’t find sufficient words. I choke up. He understands, I think, or at least he surrounds me with his arms, and that’s enough.

Perceptions of me are changing. Previously, my struggle, tears, sadnesses had been viewed with a kind of courageous vulnerability. One woman told me, that first semester, that she wanted to sit at my table to see when I cry, because that would signal to her that she should be feeling more than she is. When even my emotions, my falling-apart-ness, were viewed as leadership, I was always on display. When I pointed out that such pedestals are tall and shaky and easy to fall off, people thought that even the falling was beautiful and taught them about themselves, so I was never allowed to fully crash off the pedestal. When I cried that it’s lonely on a pedestal, people said they were there for me, but it was clear that they were there to keep me on the pedestal. Now, students are finally starting to see that my struggle is real and the cost is deep. They still come to me with problems and questions, but more quietly. Most no longer approach me as a rockstar sage, but come to me as a person. They ask how I’m doing, too.

Back in the large classroom for Theology, and the professor is teaching on sin. She summarizes a feminist understanding in which sin for women is not pride, but is essentially a lack, underdevelopment, or negation of self, a dependence on others for self-definition, a deficiency of a center. Not owning one’s self and agency can be an affront to God. And such a shortfall often manifests in service and silence. I recognize this sin in many of my classmates. Is this my silence, too? No: my silence is on the far side of self-hood, a practice in centering and developing my self in order to find my place within community. I recognize that this is not a sinful way of being, it is a spiritual and God-directed practice.

Still, it’s clear that soon I will need to continue to move forward, to allow the waterway to carry me beyond this clearing. Practices and prayers may fit for a time, but they should lead us to a new place, a new way of being. Prayers are a practice of becoming. We each must be ever-moving towards the self we were created to be, the forgotten person we already are.

This paper was written in Fall 2012 for Pat Loughery’s class “Prayer, Practice & Presence.” Students were asked to discuss their spiritual growth and process through the term. It has taken me a year to publish this because I still cry whenever I try to edit it.

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review of “our mother st paul”

In Our Mother Saint Paul, Beverly Roberts Gaventa explores the metaphors of Paul’s oft-neglected maternal imagery and examines his letters within an apocalyptic context. In Part 1, maternal imagery is examined to show that Paul is “an authority who does not conform to standard norms of authority.” Part 2 explores the Pauline letters with questions of apocalyptic theology at the forefront.

Gaventa recognizes that maternal images are complex metaphorical movements that are too often dismissed. Paternal imagery is of one-time begetting and is not the same category as maternal imagery, which reflects an on-going nurturing relationship. As such, it describes the vocation of the apostolic office and is associated with apocalyptic contexts. As aids in explaining the maternal imagery, Gaventa utilizes the history of traditions; the sociocultural context in which the letters were written, especially gender construction within the Greco-Roman world; and ‘metaphor theory’, which Gaventa explains as the use of metaphor as “an invitation to intimacy” and to change our minds.

Specifically, Gaventa is interested in the cohesion of Paul’s use of familial and kinship metaphors, noting that “metaphors having to do with nurture are almost exclusively associated with mothers” and generative metaphors that “may structure large aspects of thought.” The imagery has implications for Paul’s understanding of both leadership and women’s roles.

The first four chapters address specific maternal images employed in Paul’s letters, beginning with that of apostles as infants and nurses (1 Thessalonians 2:7), a mixed metaphor Gaventa explains through the social context. With this image, Paul is struggling to identify two aspects of the apostolic role: childlike in that he does not seek benefit, and nurse-like in that he is responsible in tending his charges with care and affection. Such metaphors of family life establish believers as a family, which restructures society and reconceptualizes conventional roles. The apostolic task is not ordinary, and “one must employ categories that seem outrageous.”

Next, Gaventa addresses the image of Paul in labor with the Galatians in his womb and the object of labor being Christ (Galatians 4:19). The metaphor may seem confused, but Gaventa shows it to be intentional. Through examining the Greek, Gaventa understands the verse to be about the apostolic vocation’s association with the anguish of the coming apocalyptic era, and the goal of anguish is that Christ be formed within communities. Paul’s work as an apostle occurs within apocalyptic framework that looks toward the incorporation of the entire cosmos into Christ. This is not about the action of Paul to another individual, but the action of God toward humanity.

The third image examined is Paul as nurse supplying milk to ‘infant’ believers not ready for solid food (1 Corinthians 3:1-3). The metaphor here reinforces familial language within the community of believers while also undermining culturally approved masculine roles. Whereas other commentators focus on paternal imagery later in the passage and even try to link this image with it, a nursing mother cannot be replaced with a father. She examines the Greco-Roman cultural understanding of sexuality—in which women were understood to be inverted males, femininity was a threat to masculinity, and strict norms for ‘real men’ were followed—to conclude that Paul “effectively concedes the culturally predisposed battle for his masculinity” and moves to the margins of acceptability. Gaventa compares Paul’s loss of status to his later images as a planter of someone else’s field, a servant of someone else’s builder, and also to “the crucified Jesus, who is no more a ‘real man’ by the world’s standards than is a nursing Paul.”

The final piece of maternal imagery addressed is of creation itself in labor (Romans 8:22). Gaventa argues that “all creation” includes humanity, even non-Jew and non-Christian. The labor of creation births nothing, but rather waits for God’s action. Meanwhile, creation continues to be sold into slavery, although the resurrection means that the powers, ultimately, will not prevail. What Paul affirms is the future redemption of creation despite the fact that “anti-God powers” of Sin and Death continue to separate humanity from God.

Chapter Five transitions from specific metaphors into the overall theology of Paul. Questions of permission and prohibition are not Paul’s priority of vocation. Gaventa focuses on Galatians in order to see what might be gleaned from a letter that is decidedly male in its issues, characters, and decision-making. When the question is no longer primarily about Paul’s understanding of women, the letter is liberated to speak to theological concerns that affect all humanity. The reader is free to hear the ways in which the gospel’s arrival obliterates law, systems that measure achievements, and identity constructions that separate rather than connect, such as culture, religion, socioeconomic status, and gender.

In Part Two, Gaventa places the maternal metaphors into the apocalyptic nature of Paul’s theology. Through examining, primarily, Paul’s letters to the Galatians and Romans, she reveals Paul’s theology to emphasize (a) the presence of the ongoing apocalypse that invades all realms of life and (b) the gospel that God revealed victory in the ongoing struggle between good and evil through the crucifixion and resurrection of Jesus Christ.

In Galatians 1 through 4, Paul focuses on the singularity of the gospel and on the relationship of believers to the gospel. He sees Galatians as seeking to please outsiders in the same way he had done previously, and instructs that they must not submit to the elements of the world. What rules the text is the conviction “there is only one gospel and that it puts an end to all prior commitments, conventions, and value systems. [Tradition, law, social barriers, and feast days] are alike insofar as they threaten to undermine the exclusive claim of the gospel.” Paul uses his own experience as an example of the gospel’s work and power, using his life to point to something beyond himself. Although the presenting problem of circumcision in Galatians 3 and 4 is a question concerning the law, Gaventa looks past the symptom to the central theological issue of the identity and accomplishments of Jesus Christ. “What the Galatians seek in the law is the certainty that they have a firm place in the church of God and that they know what God requires of them. It is precisely this certainty, and every other form of certainty, that Paul rejects with his claim about the exclusivity and singularity of Jesus Christ.” Paul’s Christology puts the crucifixion at the focus, through which humanity is freed not only from legal practices but from all identifications, whether within law or outside it. The new creation brought about by the crucifixion allows for no augmentation by the law nor any other power or loyalty.

The final chapters of Our Mother Saint Paul investigate Paul’s letter to the Romans to understand the cosmic battle between God and the anti-God powers as well as the community of believers. Gaventa examines the phrase “God handed them over” with the understanding that God surrendered humanity to the anti-God powers, specifically to uncleanness/impurity, dishonorable passions, and deformed mind. In Paul’s understanding, these are not human characteristics but powers; humans always live in the grasp of some power. Having already handed over humanity, the crucifixion is the point at which God hands over his own Son, which is not the victory of the powers but their unmasking and sure defeat.

Paul’s letter to the Romans emphasizes that the battle against evil is not simply a list of transgressions to condemn or avoid, it is God’s own enemy. Sin is not confined to behavior but is a power that entered the world, became an enslaving force, unleashed its partner Death, and corrupts even God’s law. As God once handed humanity over to Sin, he has handed over Jesus for its defeat. Baptism means the individual is dead to Sin, although capable of transgression (lowercase sin). On a cosmic level Sin is no longer the enslaving power; grace holds dominion. Ultimately, God will destroy evil on behalf of humanity.

Gaventa also considers Romans to see what it might suggest about community. She observes that Paul invokes a common memory of what has happened in the gospel with the hope that a shared interpretation will shape the future and unity of the community. The community’s behavior is characterized by an upbuilding of others within the community and reaching out to the outsider. Community boundaries are wide and yet distinguish a “line between those who are living and those who remain in the power of Death.” However, Paul does not stigmatize outsiders; he is caringly concerned for them.

Gaventa shows Romans to be a display of Paul’s theologizing. His theology is not a starting point but an end product that is fluid in light of changing events. God, for Paul, is ‘on the loose’ and uncontainable. The demands of such an all-encompassing God affect every area of human life and creation itself. Paul maintains that God is faithful, but faithfulness does not imply predictability. What may look like rejection to Israel is not unfaithfulness but is faithfulness to all creation, as God works to transform all. Paul’s fluid understanding allows room for a God who unexpectedly surpasses his promises.

Reviewers have much to praise in Gaventa’s work. McNeel writes that Gaventa shows maternal images to be “an essential part of Paul’s theologizing, both about apostolic ministry and about the cosmic battle going on between God and the anti-God forces of the universe.” The common critique is the fragmented argument of the work as a whole, especially between the two parts. Ascough relates that in early chapters the reader is left “wondering how the term ‘apocalyptic’ is being used.” The chapters on apocalyptic theology, McNeel notes, apparently “were not composed with maternal imagery in mind.”

While I agree that the book reads as two distinct works, her war-faring language is more problematic for me. Gaventa employs war imagery to describe conflict between powers. She states that “God wages war”, and that believers are God’s weapons. However, she also describes a God who “delivered up humanity”; the weapons (humanity) have been handed over. I protest: This God does not battle, he surrenders and dies on a cross. This God does not crush opponents, but becomes vulnerable to them. Feminists recognize the way language shapes cultural structures, and war-faring language is no exception. By employing primarily war imagery in theology and depicting a battle-ready God, Gaventa perpetuates philosophies of righteous war and systems of violence.

This review written for Feminist Hermeneutics with Jo-Ann Badley; all students were asked to write a review of this text.

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brilliant

As part of a recent course, the instructor asked the class to write about a moment in which we felt most alive. “What were you doing?” she prompted. “What was happening? What noises do you associate with this memory? What color is that moment?” The class laughed when she asked about the color, but the answer, for many of us, was immediate. I struggled to write down the specifics of the color flashing in my mind: Light. Clear. Bright and in focus. Well-lit. White? Sun beams reflected off moving water.

As we shared, one participant said her memory was yellow. Those of us who knew her nodded, yes! Of course she’s yellow! One person wondered aloud, in a concise illustration of calling and flourishing: how can we help her be more yellow, or help her be yellow more often?

It wasn’t until much later that I began to apply the concept to myself: what does my color say about me? And of course, I pinpoint the color I was really trying to name, and with it the frustration and anger and elevation and pressure and pleasure and delight when people say to me: “You’re just

so

brilliant.”

There was a day last year where I vented to a friend about how my peers didn’t engage me or interact with my ideas or add to the conversation, they just told me how brilliant I was. I said the word with contempt. Brilliant. I took their complement as a statement about my intellectual capacities, an urging for me to perform so they could consume the words and ideas. My friend listened, nodding, then responded, with overwhelming strength and compassion, “Well, you are brilliant. Literally, you shine.”

And in this moment it all clicks together. It’s never been about intellect, it’s been about personhood and flourishing and identity. My peers have been calling me to be more me, have been calling me into the moments where they see me have the most life, have been calling me to be the person I was created to be more often, have been calling me to flourish—not for consumption or as superficial complements, but for delight and for glory. The intellect is just the self-created shadow I’ve been hiding in, hoping to dull the shine. What would it look like for me to allow myself to be light, clear, bright and in-focus? What would it look like for me to allow myself to be more brilliant, or to be brilliant more often?

I’m scared.

brilliant

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some thoughts on sin

Here’s what I wrote when handed this exam question: How does ‘sin’ fit into your own theological anthropology? What are some helpful and/or detrimental aspects of how sin is understood within the Christian tradition?

My understanding of sin is strongly linked with my understanding of the doctrine of imago Dei. If each human carries a unique image of God and is called to gift the world from such an identity, then sin is defined as anything that is not living out of that identity. It is working for acceptance and approval and love rather than from a the belief and knowledge that one is accepted and loved. It is the ways in which desires and passions become distorted and misdirected. It is the ways we inhibit others from knowing and living out  their own identity and agency.

Sin, then, is highly unique. As feminist theologians such as Saiving Goldstein have pointed out, sin may be pride but can just as easily be the opposite: a lack of organizing center, a dependence on others for one’s own self-definition. What is detrimental in the discussion of sin is blanket statements, as there are very few actions that can be deemed sinful for absolutely everyone. Oftentimes we focus on behaviors when what is really at stake is a question of character, an issue of identity and agency. The focus on behavior is a narrow lens and does not address the complexity of a human life: for just a few examples I’ll point to the debates around homosexuality; masturbation; plastic surgery and viagra; alcohol, tobacco, and marijuana use. I’m not saying these categories are unimportant. They are real areas of concern for many Christians, but they are symptomatic of deeper issues, and when we focus on fixing the symptom we are refusing to handle the complexity of that individual’s identity and the image of God he or she holds.

Most importantly, as James Alison reminds, sin is “that which can be forgiven.” Indeed, that which already has been forgiven: there is no room for shame nor condemnation in the gospel, and it is here that some understandings of sin have been most detrimental. By attempting to shame others into “repentance” rather than informing others that they are already loved and no longer need to live in sinful ways in order to gain love, the gospel message is not only distorted, it is inverted.

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the office finale

For the bulk of nine years, fans of The Office have watched Jim.

Sure, we like the other characters too, we may even care about them. But Jim is the one who acts, the one who pines and pursues, the one  who pranks and plans. We wait for Pam to react, to respond, to reciprocate, but for the most part she’s a woman to whom things happen; more specifically, a woman to whom Jim happens. She’s the princess to be rescued—from Roy, from her own self-doubt about her artistic capacities, most recently from her doubt of Jim.

But in the finale, Pam finally accepts her agency. She even admits that she’s learned and moved slowly—four years to get to the man who worked five feet from her desk. By giving her the final recap of her time on film, she has the final say of the way the narrative can be read. It may not be heroic, but it is honest, and it is the story of many, if not most, women in our society. We are taught to be timid and small, and it takes much of our adult life to move into controlling our own lives, it takes us “so long to do so many important things.” We are happy when a man buys a house for us because we feel like someone cares for us and is in control, but that  falls so far short of having the kind of agency to make a decision for ourselves. And we see where that kind of “love” leads Jim and Pam—Jim continues to make the decisions, as Pam withers in her smallness.

In the final minutes of The Office, Pam re-narrates the series into a feminist one. She remembers her identity, and acts out of it in bold agency. Like so many woman, she is ambivalent, happy where she is while lamenting the time lost. And like so many woman, she hopes that her lessons will make it easier for those watching, for the next generation of women.

“It would just make my heart soar if someone out there saw this and she said to herself: Be strong. Trust yourself. Love yourself. Conquer your fears. Just go after what you want, and act fast, because life just isn’t that long.”

pam

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